Menu
David Poolman
  • HOME
  • DRAWING
    • THE OLD VIEW FROM NOWHERE (ongoing)
    • 36 DORITOS
    • SEVERAL LEDGERS
    • AMALGAMATION OF GENERALIZATION
    • TUMULT
    • SOUTH OF HEAVEN
    • FROM THE WOMB TO THE TOMB
    • START AS YOU WILL GO ON
    • DECOY
  • SCULPTURE
    • MOUSEBALL
    • ARMOUR . CONQUER . BOUNTY
    • SITTIN' ON TOP OF THE WORLD
    • RETREAT
    • PROTEST CANCELLED DUE TO RAIN
    • THERE WAS A TIME WHEN FIRE WAS THE END OF ALL THINGS
    • MINIATURES AND MULTIPLES
    • SHOUT OUTS!
    • APPARENTLY/APPARENTLY NOT
  • VIDEO
    • LAST WORD IN LONESOME IS ME
    • 13 INSTANCES
    • BURNING OF THE NAUVOO TEMPLE
    • 52 USED SHIRTS
    • DEMOS, COVERS, UNRELEASED
    • STAKEOUT!
    • A LITTLE BIT OF NOTHING
  • PRINT
    • EPIGRAPHS/EPIGRAMS
    • PURE BOOTY
    • MOUSEBALL
    • ALL WORDS ARE EMPTY
    • NAUVOO SUITE
  • PHOTOGRAPHY
    • METALHEADS AND PITBULLS
    • OUT OF THE FRAME
    • 13 DAYS
    • MENISCUS
  • cv
  • contact
  • HOME
  • DRAWING
    • THE OLD VIEW FROM NOWHERE (ongoing)
    • 36 DORITOS
    • SEVERAL LEDGERS
    • AMALGAMATION OF GENERALIZATION
    • TUMULT
    • SOUTH OF HEAVEN
    • FROM THE WOMB TO THE TOMB
    • START AS YOU WILL GO ON
    • DECOY
  • SCULPTURE
    • MOUSEBALL
    • ARMOUR . CONQUER . BOUNTY
    • SITTIN' ON TOP OF THE WORLD
    • RETREAT
    • PROTEST CANCELLED DUE TO RAIN
    • THERE WAS A TIME WHEN FIRE WAS THE END OF ALL THINGS
    • MINIATURES AND MULTIPLES
    • SHOUT OUTS!
    • APPARENTLY/APPARENTLY NOT
  • VIDEO
    • LAST WORD IN LONESOME IS ME
    • 13 INSTANCES
    • BURNING OF THE NAUVOO TEMPLE
    • 52 USED SHIRTS
    • DEMOS, COVERS, UNRELEASED
    • STAKEOUT!
    • A LITTLE BIT OF NOTHING
  • PRINT
    • EPIGRAPHS/EPIGRAMS
    • PURE BOOTY
    • MOUSEBALL
    • ALL WORDS ARE EMPTY
    • NAUVOO SUITE
  • PHOTOGRAPHY
    • METALHEADS AND PITBULLS
    • OUT OF THE FRAME
    • 13 DAYS
    • MENISCUS
  • cv
  • contact

   13 Days

Click image for larger version.
    Description
    Whether viewed in a linear trajectory or a fragmented scanning, these images are an invitation for the viewer to construct a narrative from their disparate, unique, and     somewhat peculiar sources.

    Culled from the Vancouver Public Library Archives, their only physical relationship is the single arrow mapped across each image. The arrows act a means to suggest     a subject, a direction, or even detailed point of interest to continue, and at the same time complicate the narrative's possibilities.
contact(at)davidpoolman.com